This shows the difference between raw camera output and the heavily processed final image when dealing with 1.33X anamorphic lens at 4K, in low light. DaVinci so amaze!<br /><br />Desqueezed like this; <a href="https://vimeo.com/226692566" target="_blank" rel="nofollow">https://vimeo.com/226692566</a><br /><br />Source: 3840x2160, 30fps, 100mbps AVC<br />Destination: 5108x2160, 24fps HEVC<br /><br />The Pixel 2's AVC (H.254) has much less banding / artifacts than HEVC (H.265) on FiLMiC Pro's "Extreme" setting, especially in low light.<br /><br />The Temporal NR is;<br />Frames: 5<br />Mo.Est.Type: Better<br />Motion Range: Medium<br />Temporal Threshold: (L100, C100, M100, B0.0)<br />Spacial NR Mode: Enhanced<br />Radius: Small<br />Spatial Threshold: (L0.0, C100, B100)<br />Motion Blur: Disabled (None)<br /><br />Stuff used here;<br />Google Pixel 2 XL<br />ULANZI 1.33X Anamorphic Lens<br />FiLMiC Pro LOG V2<br />DJI Osmo Mobile 2<br />DaVinci Resolve 16 Studio<br /><br />Clean export without raw overlays: <a href="https://youtu.be/QGGFaMOjED4" target="_blank" rel="nofollow">https://youtu.be/QGGFaMOjED4</a> (private link)<br />...<br /><a href="https://www.youtube.com/watch?v=5WZk5hQKXtQ" target="_blank" rel="nofollow">https://www.youtube.com/watch?v=5WZk5hQKXtQ</a>