<br />00:00 - 03:43 01. Malawëlëkaahm<br />03:43 - 05:56 02. Bradïa Da Zï Mehn Iëgah<br />05:56 - 07:36 03. Manëh Fur Da Zëss<br />07:36 - 12:27 04. Fur Dï Hël Kobaïa<br />12:27 - 15:56 05. Blüm Tendiwa<br />15:56 - 19:04 06. Wohldünt M^Ëm Dëwëlëss<br />19:04 - 21:34 07. Waïnsaht !!!<br />21:34 - 24:21 08. Wlasïk Steuhn Kobaïa<br />24:21 - 27:46 09. Sëhnntëht Dros Wurdah Süms<br />27:46 - 32:44 10. C'est La Vie Qui Les A Menés Là !<br />32:44 - 35:01 11. Ëk Sün Da Zëss<br />35:01 - 38:47 12. De Zeuhl Ündazïr<br />38:47 - 1:04:41 13. Wurdah Ïtah (Prima Materia)<br /><br />Originally credited as a Christian Vander solo album and later incorporated into Magma’s discography, *Ẁurdah Ïtah* is the stripped-down second movement of the *Theusz Hamtaahk* trilogy. It was conceived as a soundtrack for Yvan Lagrange’s obscure *Tristan et Iseult* film, which repurposed early Magma demos without permission. Vander negotiated funding for a proper recording, resulting in a minimalist arrangement with only piano, bass, drums, and vocals. <br /><br />Despite its reduced instrumentation, the album retains Magma’s ritualistic intensity, leaning more into jazz influences and repetition. The compositions evolve gradually, forming a cohesive suite rather than distinct tracks. While it lacks the bombast of *MDK*, it remains a fan favorite for its raw, hypnotic energy.<br />