The four characteristics of Post-Modernism<br /><br />“Why Art Became Ugly” by Stephen R.C. Hicks (2004)<br /><a href="https://www.atlassociety.org/post/why-art-became-ugly" target="_blank" rel="nofollow">https://www.atlassociety.org/post/why-art-became-ugly</a><br /><br />Stephen R. C. Hicks<br /><a href="https://www.stephenhicks.org/" target="_blank" rel="nofollow">https://www.stephenhicks.org/</a> <br /><br />Previous Episodes<br />=============<br /><br />NTA 05 - The End of the World II (Niall Ferguson)<br /><a href="https://odysee.com/@NTA" target="_blank" rel="nofollow">https://odysee.com/@NTA</a>:1/the_end_of_the_world_2:d<br /><br />NTA 04 - Follow the Science II (G. Saad)<br /><a href="https://odysee.com/@NTA" target="_blank" rel="nofollow">https://odysee.com/@NTA</a>:1/EP4_Follow_The_Science_2:3<br /><br />NTA 03 - The End of the World (C. Paglia & J. Pageau)<br /><a href="https://odysee.com/@NTA" target="_blank" rel="nofollow">https://odysee.com/@NTA</a>:1/EP3_the_end_of_the_world:e<br /><br />NTA 02 - Follow the Science (Robert Sapolsky)<br /><a href="https://odysee.com/@NTA" target="_blank" rel="nofollow">https://odysee.com/@NTA</a>:1/EP2_follow_the_science:5<br /><br /><br />Images<br />=====<br /><br />„Strategy (South Face/Front Face/North“ by Jenny Saville (1994)<br /><a href="https://www.thestranger.com/extras/images/ART/Saville.jpg" target="_blank" rel="nofollow">https://www.thestranger.com/extras/images/ART/Saville.jpg</a><br /><br />Robert Rauschenberg<br /><a href="https://web.archive.org/web/20111125063522/http" target="_blank" rel="nofollow">https://web.archive.org/web/20111125063522/http</a>://www.artrenewal.org/articles/2002/Pandoras_Box/large/Rauschenberg_Erased_De_Kooning.jpg<br /><br />“L H O O Q” by Marcel Duchamp (1919)<br /><a href="https://en.wikipedia.org/wiki/File" target="_blank" rel="nofollow">https://en.wikipedia.org/wiki/File</a>:Marcel_Duchamp,_1919,_L.H.O.O.Q.jpg<br /><br />“Cultural Gothic” by Paul McCarthy (1992-93)<br /><a href="https://web.archive.org/web/20110917032742/http" target="_blank" rel="nofollow">https://web.archive.org/web/20110917032742/http</a>://www.artrenewal.org/articles/2002/Pandoras_Box/large/McCarthy_Cultural_Gothic.jpg<br /><br />“Immersion (Piss Christ)“ by Andres Serrano (1987)<br /><a href="https://web.archive.org/web/20101126112117/http" target="_blank" rel="nofollow">https://web.archive.org/web/20101126112117/http</a>://www.usc.edu/schools/annenberg/asc/projects/comm544/library/images/502.jpg<br /><br />The Fall of Icarus (17th Century)<br /><a href="https://commons.wikimedia.org/wiki/File%3A" target="_blank" rel="nofollow">https://commons.wikimedia.org/wiki/File%3A</a>'The_Fall_of_Icarus'%2C_17th_century%2C_Mus%C3%A9e_Antoine_Vivenel.JPG<br />Minoan drinking cup (kylix) Side A from an Attic black-figure Siana cup<br /><a href="https://commons.wikimedia.org/wiki/File" target="_blank" rel="nofollow">https://commons.wikimedia.org/wiki/File</a>:Siana_cup_Louvre_F67.jpg<br /><br />Design for a Stage Set for the Ballet 'Le Donne de Buon Umore’ (The Good Humored Ladies), premiered in Rome, April 12, 1917 <br /><a href="https://picryl.com/media/design-for-a-stage-set-for-the-ballet-and39le-donne-de-buon-umore-the-good-286e05" target="_blank" rel="nofollow">https://picryl.com/media/design-for-a-stage-set-for-the-ballet-and39le-donne-de-buon-umore-the-good-286e05</a><br /><br />